Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molières play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergmans production of The Misanthrope. A reviewer wrote, For the first time Molières connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced a clean Molière and were struck by Bergmans faithfulness to the original mise-en-scene and to the classical rhythm of Molières text.